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4/3/2019 0 Comments

Awkward Critiques

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Critiquing and being critiqued can be a stressful activity under the best of circumstances. But sometimes situations arise that are difficult or downright awkward. The following address three of those times.
 
What do you do when a member of a critique group brings a manuscript you cannot critique? e.g. Is diametrically opposed to your beliefs or you find it offensive.
 
First:
  • Make sure you understand why you cannot critique the piece. Then be prepared to speak honestly, but kindly.
Possible Responses:
  • Critique the writing and not the content.
  • If you find the content offensive—making it difficult to even comment on writing style, punctuation, etc.—withdraw from critiquing this piece. Be ready to give an answer, if they ask, about why you do not want to critique it. e.g. “The language in this manuscript bothers me.” Or, “I’m uncomfortable with the subject matter.”
  • If the content is contrary to Scripture and the writer is a Christian aiming at a Christian market, look up scripture references and use those as part of your critique. For a face-to-face critique, you may need to ask if you can have more time, and send your response later. Your email might look like this: “I’ve been thinking more about your piece and am wondering . . .”
  • Does your group have guidelines about the type of material offered for critique? If so, and the piece is outside the guidelines, politely remind the writer of the goals of the group. “This group focuses on clean fiction.” If your group does not have guidelines, discuss the possibility of having them with the group.
Tips:
  • Remember to make “I” statements not “you” statements.  For example, NOT “You use too many curse words.” INSTEAD “I prefer not to read a manuscript with profanity.”
  • Comment on the piece not the author: e.g. “This manuscript has a lot of curse words.”
  • Ask questions: “Is this type of language acceptable to the publisher?”
 
What do you do when someone doesn’t want to critique your manuscript?
 
First:
  • Don’t be easily offended.
Possible Responses:
  • Ask if the problem is with the style or the content of your manuscript? Some people don’t understand poetry and don’t feel they can offer any worthwhile comments. Others don’t like fantasy.
  • If the critiquer responds “content,” you may want to ask for specifics so you understand the problem. Be as polite as possible even if you disagree.
  • Thank the critiquer and see what others have to say about your manuscript.
Tips:
  • Remember this is not personal.
  • If people in your group are frequently unwilling to critique your material, either this is not the right group for you or perhaps your manuscripts are not appropriate for the critique group. (For example, I wouldn’t take a children’s piece to an adult critique group.)
 
What do you do when you receive an unfair critique?
 
First:
  • Don’t be easily offended. Try to stay calm.
  • Step back and give yourself time to recover. Then take an honest look at the comments. Now that you can be more objective, consider whether these comments have validity. If they still seem unfair, focus on comments from other critiquers.
  • Analyze the critiquer. Were they negative with everyone? If so, they may need to be exposed to or reminded of critique guidelines that discuss how important it is to give positive feedback. Ask the group leader to remind everyone of the guidelines.
  • Get to know this person better. Perhaps other events in their life were influencing a normal positive attitude. Or it may just be a misunderstanding—what feels hurtful to you may be intended as humor.
Possible Responses:
  • Next time state clearly what you need from this critiquer. “I’m not looking for a line-by-line edit, I just want to know if the overall story arc is working.”
  • Speak privately to the person and express your need to hear something positive on your writing. Use I statements. e.g. “It’s easier for me to accept criticism if I also hear what IS working in my writing. It would really help me if you could tell me something you liked.”
Tips:
  • Try to separate yourself from the piece.
  • Remember that most people aren’t intentionally malicious. Often it is thoughtlessness that hurts others.
  • Forgive.
 
In any of these cases, a writing mentor, or group leader may have additional suggestions for you. No need to mention names or info that would pointedly indicate the person you are struggling with—we don’t want to turn this into a gossip session—just ask for advice from someone with more critique group experience.

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3/5/2019 0 Comments

Romans 8:28 for the Fiction Writer

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"All things work together for good for those who love God and are called according to His purpose" . . . and . . . for the fiction writer. Or at least they can, if you're willing. I’m not being flippant here. Let me show you what I mean.
 
Your child has just come home from school and confessed she cheated in class and got caught. After you deal with her situation, start thinking about a story for a church take home paper dealing with this or a similar issue. I did and the resulting short story sold to a girl's magazine.
 
Your pastor asks you to step outside your comfort zone in a ministry area at church. Your friend asks for prayer for her participation in a ministry that fills her with fear. Use both your discomfort and her fear, plus how God came through when you each trusted Him, for a character struggling through a similar problem.
 
Remember how shy you were? How someone might overcome shyness in a specific situation can become part of a story. Remember feeling so average that you had nothing special to offer? Later, you probably realized how God gifted you in areas that weren't so obvious. I wrote a short story showing a teenager coming to the same realization which has sold twice.
 
God teaches you a lesson. A story about someone in a similar situation could help others learn the lesson in a less painful manner. A friend shares how she is caught in sin and asks for help in keeping her accountable. Imagining how that could be on the inside got me writing a story that might help others in the same sin, and the story sold to a magazine for young adults.
 
Remember being really angry at someone? And peer pressure and how you caved in and did what you knew was wrong?  I've had at least two short stories come out of this. One, my character did what I wished I'd done. The other, my character learned that caving into peer pressure isn't a good idea. The former story has been in print three times.
 
What ministry areas have you gotten involved in? Feeding homeless, greeting, missions, worship team, youth, nursery, prison ministry, teaching special education children, Vacation Bible School, and prayer are all ministries I've participated in at one time or another and have all made it into fiction stories in one form or another. I've used the setting, I've used problems I've seen, I've used my feelings and feelings of others, I've gotten ideas for a character's personality and more for numerous stories.
 
What experiences have you had? What are your hobbies? How about your family? Your friends? Acquaintances? Things happen: moving, losing a loved one, job changes, failure, temptation, frustration, success, etc. We all have highs and lows. You may not be able to solve a problem in real life, but you might be able to solve it in fiction or show how someone else survived. In my novel I used my fear of heights, my love of baking, a snowmobiling experience, things I’d learned about my sister’s small town to create my own small town, my family’s move, and more.
 
How about all those times we think, "I wish I'd said . . ." in response to someone else. It could be we failed to share God's word or his values. It could be we responded impatiently or with hasty words. Or perhaps we even wish we'd kept our mouth shut. The magic of fiction is that my characters can do what I wish I'd done.
 
This doesn't mean fiction characters are perfect and never make mistakes. We want them to be believable. They might even have some of my flaws as well as flaws of their own. I help round them out by using my own experiences, both good and bad.
 
Isn't it great that "All things work together for good for those who love God and are called according to His purpose"? Even for the fiction writer?


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2/18/2019 0 Comments

Interview with Indie Author Martha Pruett

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ThaWhere did the idea for this book come from?
I enjoy reading military fiction, Christian fiction, and watching a ton of military/war movies and shows. One day I was watching one of my favorite television shows and wondered what would happen if a Special Forces Sniper married a SWAT officer. From there the ideas just kept coming and Clubs was born.
 
How long did it take you to write this book?
It took almost two years from the day I started writing Clubs until it was published.

When did you know your manuscript was ready for submission?
I had a pretty clear vision of the journey I wanted to take my main characters on. The ending came to me rather early in the process, so it was a matter of simply getting my characters from where they began, to where I wanted them at the end.
 
Once the first draft was completed it went through revisions and editing. Only after my editors returned the manuscript, all edits were made, and I read through and did revisions myself was I comfortable with submitting my work. I want it as close to perfection as it could be before it went out into the world.

What happened along the way in your publication process?
I published Clubs through Amazon so submitting the manuscript was simple. I had to ensure I knew what genre to place the book in and write the back cover description so readers could get a feel for the story and decide if they wanted to give Clubs a chance.

As an indie author I maintained complete control of the cover from concept to completion. I worked closely with my cover designer and we discussed all the fine points of the cover to ensure it came out exactly as I envisioned.

Once I submitted the book, it was just a matter of waiting for it to go live on the website.

What marketing are you doing for this book?
My marketing is primarily though Facebook, Instagram, and Twitter. My Author page is where I keep my readers up to date on all the latest news about Clubs and the series, as well as interact with my readers.
 
Anything else you’d like to share about your book’s journey from inspiration to publication?
The journey to publishing Clubs was a wonderful experience. Seeing a simple idea turn into a thirty-seven-chapter book, then holding the book in my hands, is quite an experience. I loved every step of the process (well, editing not as much) and look forward to repeating the steps from start to finish with the next book in the series.
 
Where can you be found online?
 Website: https://marthapruett.wixsite.com/author
 Twitter: @mrspruett09
 Facebook: Martha Pruett - Author
 Instagram: mpauthor

 
Where can your book be purchased?
 Amazon: https://www.amazon.com/dp/B07KGL5XW3


Thank you, Martha, for sharing with us.



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2/9/2019 0 Comments

Committed to Writing

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Other writers have asked me how I get so much writing, blogging, etc. done. This often makes me feel like a fraud—I don’t feel like I’m doing very well. Comparison can be a dangerous thing. Someone is always more successful or less so than we are, at whatever we think of as success.
 
But I am committed to writing. Whether I sell it or not is a different subject. However, let’s discuss what works for me.
 
First, set aside time. I’m very blessed to not have to work full time. That means I get up in the morning and write, or do writing related business. Let me explain the latter since it comes in many forms. It could be research for a project or for finding an agent or editor, catching up on reading newsletters or blogs focused on writing, working on a student lesson, submitting or querying projects, updating spreadsheets, critiquing for a client or work to find a client, etc. It often includes time spent on social media, although it’s easy to get sidetracked with that so I try to limit it. I also volunteer for a writing organization and may spend some time on that.
 
The writing part can be fiction or short nonfiction and is 99% of the time done on a keyboard. If I’m in the midst of a novel, that’s usually the most compelling project for me to approach. Nonfiction usually includes blog posts for both of my sites, plus occasional articles for pay. On my writing for children site, I also do book recommendations. Of course, writing any of these can require me stopping to research a needed fact or two. This is another place I can get sidetracked... Whatever I’m writing, I may be at the getting words down part or revising what I already wrote.
 
After lunch I return to the computer to do one or more of the above. This schedule is normal five days a week. Saturdays, I may write, or I may do family things. Sundays, we meet with our local church and usually rest and relax the rest of the day.
 
However, I know many others who write after their full-time job is done for the day. They write in the evening and on weekends. Maybe on lunch breaks. So, if you’re working another job, don’t despair that you can’t also make progress on your writing. If you only writes 1000 words a week, that’s 50,000+ words in a year.
 
Second, I’ve given up other things. I used to sew and do a few handcrafts. I haven’t done them in many, many years. Instead, I write. I used to do scrapbooking—I’d like to say I do it occasionally but can’t remember the last time I did so. Yes, of course, I read books—mainly in the genres I write. I even watch TV via Netflix or watch a movie in the evening. I spend time with friends—mainly my fellow writers—and family. And of course, I cook, clean, do laundry, pay bills in partnership with my husband. (Our children are grown.)
 
Third, I’ve made a commitment to myself to write. What helps me stay committed? Love of the written word. Habit. Meeting with other writers. A regular critique group motivates to bring something to share. A scheduled writing time makes me show up with computer in hand and usually a project in mind. As Tony Fahkry says, “Success requires discipline, hard work, perseverance, tenacity, will, courage and faith.” Until I read that quote, I hadn’t thought much about the faith part. Yes, I believe I’m doing what God would have me do. But I have faith that my writing is worth something as well.
 
Here is another writer’s story on being committed: “Three powerful lessons from my 2017 Writing Challenge.”
 
Your path won’t look like mine or hers. But it’s amazing how deciding to commit to writing makes being committed to writing easier.


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1/22/2019 0 Comments

Persistence Is the Key - an Interview with Rachel J. Good

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Where did the idea for this book come from?
 
I attended a program put on by the Clinic for Special Children in Strasburg, PA, where I learned about hereditary diseases that affect only Amish and Mennonite children at birth. That might not seem like a very romantic start for a love story, but once I pictured an Amish midwife delivering a baby at home and added an Englisch (non-Amish) doctor who opposes home births and natural medicine, the story took off.
 
How long did it take you to write this book?
 
The Amish Midwife’s Secret is book 2 in the Love & Promises series, so my due dates were 6 months apart. I didn’t have the full time to write it because I took off on a 3-week mission trip to Africa in October and also had Thanksgiving and Christmas holiday travel during that time. Then in March, I spent two weeks in England and Scotland on a children’s literature tour. I tried to get some writing in, but with so many scheduled activities, I could only write late at night.
 
Tell us about your revisions…
 
I have to confess that I basically turned in a first draft to my editor after a quick read-through and making the corrections my Amish beta reader suggested.
 
When did you know your manuscript was ready for submission?
 
Actually, my agent sold this 3-book series on a proposal. I came up with three blurbs and wrote three sample chapters. My agent read it and made a few suggestions for changes.

Obviously, this isn’t the usual process for fiction when you’re starting out. When I sold my first series to a different publisher, it was a more involved process, so I’ll detail that below. 
 
What happened along the way in your submission process?
 
Before I got my first fiction contract, I wrote several inspirational novels in what I hoped would be a series. I took the first 10 pages to the Oregon Christian Writers conference and signed up for editor appointments. Unfortunately, all three agents said the book I’d written was too dark and angsty for the inspirational market (I think that’s changed now).
 
One agent, Mary Sue Seymour said she really liked my voice, and we chatted about my life and goals as a writer. When she found out I lived near Lancaster, PA, and had spent time with the Amish, she asked if I’d ever considered writing Amish romances. She said if I ever decided to, I could send her a query and synopsis. Now most people who get an offer like that would jump on it right away, but I didn’t. I was busy writing educational books, mostly work for hire, and I had tight deadlines. Yet I still dreamed of writing fiction.
 
Five years later (Yes, 5!! So, if you get an opportunity or a revise/resubmit, don’t panic and rush through it.), I sent her the synopsis. She not only remembered me, she wrote back and gave me detailed suggestions for making the synopsis stronger.
 
Once again, she warned me that my ideas were too dark and had me cut out a death I thought was central to the story. I really struggled with that, but I followed her instructions. Now I’m glad I did, because that character became the heroine in the second book in the Sisters & Friends series (Buried Secrets), and many people have told me that’s their favorite story.
 
When I finally finished the synopsis to her satisfaction, she told me to go ahead and write the book. This is a rather backward process, but it worked. I’d send her several chapters, and she’d tell me if I was heading in the right direction. It took about 8 months until I turned in the 85,000 words she’d requested.
 
I sent it to her right before Christmas, and she asked for extra time to read it. In January, she sent it back with edits – 2 words changes and a 1-paragraph addition – BUT she thought it would work better for the category market. Would I be willing to cut it to around 60,000-65,000 words?
 
Gulp! Cutting 20,000 words was torture, but I did it and sent it back. A few days later, she emailed to say she’d sent it out on sub. I didn’t even have time to get nervous, but waiting was difficult.
 
When and how did you get the offer on your book?
 
The book went out in February, and we had our first interest in March. The book needed to go to committee, etc. and while that long process played out over almost two months, we got another offer. The advance was good for a first novel, and they wanted a 3-book deal, so I had to come up with two more book ideas right away. There was only one hitch.

They wanted the books to be 75,000 words. Acckk! You’d think I could just go back to the original manuscript and add some words back in, but no, I’d changed the story so much none of that would fit. And I couldn’t just shoehorn in extra description and pad the manuscript. I had to go back and write it again from the beginning. They also had a few things they wanted me to take out or change, so I worked on the story for a few months (along with attending grad school and working full time).
 
I turned it in to my agent in July and was thrilled when she emailed a deal memo for the Sisters & Friends series in early August. After we hammered out some details, I finally signed the contract in October.
 
Since then, I’ve been blessed to sign several other contracts for Amish novels and series, including a 6-book contract with Kensington.
 
Tell us about the editorial process…
 
I detailed the editorial process for my first novel in the previous question. After all that back-and-forth, it seemed strange to send my editor the first draft of The Amish Midwife’s Secret.
 
My editor emailed listing the changes she wanted:
 
  1. Include more of the hero’s backstory. Because Kyle appears in two books in a different series (Sisters & Friends), I didn’t want to reveal too much, but since my editor hadn’t read those books, I let her guide me. I included whatever details she felt she needed to understand his background and reasons for his dislike of the Amish.
  2. Make Kyle gradually come to be more open-minded about herbal remedies and home births.
  3. Give the heroine more guilt about her past and more worry about Kyle’s ex-girlfriend coming to town.
  4. Have the couple bicker more in the beginning, but make sure readers can see why the two of them are soulmates.
 
In addition to sending a detailed email and Track Changes in the manuscript, my editor likes to follow up with phone call. I’m an introvert, so phone calls always make me nervous. I’d be happy to work from the emails and skip the call.
 
After the first round of big-picture edits, I often get second-pass edits to clean up a few things that need to be clarified. Then the book heads to the copyeditor, who picks up on little details and inconsistencies. Next, the proofreader does a final pass for typos. From there, it goes to galleys. I get a pdf version of the final book and need to read it for errors. Amazingly, I still find some.
 
Did you get to participate in the cover process? If yes, how?
 
Yes, I did, which I really appreciated. I was even invited to the photo shoots in New York, but unfortunately, I couldn’t attend any of them. My editor went and took snapshots for me.
 
For my other books, I just filled out a sheet with some basic information about the hero and heroine’s looks, and I included pictures of the clothing, hairstyles, and other details to be sure they were correct. After that I had no input; they just sent the final cover design. Although I love all my covers, not all the covers have authentic outfits or hairstyles.
 
With Hachette/Grand Central, though, I provided detailed directions about the clothing, and they followed it exactly. I even sent my Amish friend’s heart-shaped kapp (headcovering) for all 3 book covers in this series. It makes me so happy to see that all the major details are correct, and I think they created gorgeous covers.
 
How long did it take from offer to having the first copy in your hand or on screen (e-book)?
 
For this series, Grand Central made the offer in January 2017 (we also had another offer for the series, so my agent negotiated with both, and we went with the best deal). I signed the contract in March 2017, and the first book came out April 2018.
 
What marketing are you doing for this book?
 
I have an interview with USA Today, a brief TV appearance, and a radio show. My street team is reading the book and will review and help promote it. I have two blog tours scheduled, as well as quite a few guest blogs set up. I have 6 in-person book events coming up. Unfortunately, with this novel releasing so close to winter, I didn’t set up many book signings. I’ll do more when book 3, The Amish Widow’s Rescue, comes out in March 2019.
 
Instead, I’m doing a lot of online events. I have shared book parties with other inspirational authors. I’m part of a lot of book giveaways, especially for the holidays. I’m interacting with several online book clubs and will do some in-person and Skype book events.
 
For me, Facebook is where my target market can be found, so I try to interact a lot on there with my readers. Before each book releases, I hold an Amish Life series in a private Facebook group, Rachel J. Good’s Hitching Post. Anyone who’s interested in learning more about the Amish or wants to hear about the unusual things I discovered while researching for the book is welcome to join. I’ve talking about Amish herbal medicine, Amish pregnancies, babies and midwives, the Special Clinic for Children, and other fun details. The last session was held Monday, November 26 at 8 PM EST, but readers can stop by any time to read the posts.
 
Anything else you’d like to share about your book’s journey from inspiration to publication?
 
Persistence is the key in this business. Although I’m mainly talking about my triumphs here, these came after many years of struggle and discouragement. I’ve found over the years that it’s not necessarily the best writers who get published, but the ones who keep picking themselves up and moving on. And even after you get an agent and a book contract, it isn’t all an uphill climb.

Publishers close down lines, books get remaindered, and agents die. All of those have happened to me. At the time it seems all is dark, but I’ve discovered that if I keep plodding ahead and trusting God, I find new publishers (even ones willing to take on orphaned books), and a wonderful new agent. And here I want to give a shout-out to my agent, Nicole Resciniti, who’s done some amazing things for my career.
 
Where can you be found online?
 
Website: www.racheljgood.com
 
Twitter: https://twitter.com/RachelJGood1
 
Facebook: https://www.facebook.com/people/Rachel-J-Good/100009699285059
 
Instagram: https://www.instagram.com/rachelj.good
 
Newsletter sign-up: http://bit.ly/1qwci4Q
 
Where can your books be purchased? (Please include links.)
           
            Amazon: https://www.amazon.com/Amish-Midwifes-Secret-Love-Promises/dp/1538711281
 
            ChristianBooks.com: https://www.christianbook.com/the-amish-midwifes-secret/rachel-good/9781538711286/pd/711286
           
            Other retailers: https://books2read.com/u/bWzJoY
           
            *Walmart, Sam’s Club, Meier’s, and Barnes & Noble carry them. If they aren’t there, you can ask them to order them in.

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1/15/2019 0 Comments

Tips for Character Names

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I’m sure you’ve read a story where you got confused on who is who. Our job as writers is to minimize that problem as much as possible.

Here are some tips
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First names
should:
  • not be too similar
    • begin with different letters or pairs of letters
    • not all have the same ending sound
    • have a variety of syllable lengths
    • not start and end with similar letters
    • not rhyme
  • be realistic, which means it fits:
    • the time period of the story
    • the ethnicity and cultures of the time period
    • the genre
    • and possibly, the character’s religion
  • be pronounceable
    • or explain the pronunciation early on, e.g. the character having to explain it to someone else
  • fit the character’s personality
 
Surnames need to:
  • do much of the same as above, plus
  • work well with the chosen first name, unless deliberately clashing for a valid reason
 
Where can you find names?
  • baby books and names for babies online
  • surnames lists
  • place names – “While driving through Nashville, I noticed street names that sounded like they should be characters in a novel I was working on.” – Dan Schmidt
  • Social Security Administration – https://www.ssa.gov/oact/babynames/
  • “Popular Given Names US, 1801-1999” – https://www.galbithink.org/names/us200.htm 
  • the most popular baby names in countries around the world – and what they mean – https://www.telegraph.co.uk/travel/lists/most-popular-names-around-the-world-what-they-mean/
  • online name generators
 
Things to consider:
  • a name’s meaning – “Selecting a name that reflects or symbolizes a character’s role in the story can add subtext to the character.” – Michael Schiff
  • alliterative initials
    • can be memorable, but too many in one story is not a good idea
  • is it a “loaded” name? E.g. Hannibal, Bambi
  • nicknames
  • the ambiguity of using names that fit either gender as they can confuse the reader
 
Of course, any of these tips can be broken for a good reason.
 
What tips would you add about character naming?


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    Author

    SM Ford writes inspirational fiction for adults, although teens may find the stories of interest, too. She also loves assisting other writers on their journeys.

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