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Introspection by your main character is good, but it can also be too much of a good thing. I know I get annoyed when introspection does the following:
I like what novelist Gail Gaymer Martin says, “Too much can be boring since introspection is passive, and too little deprives the reader of getting to know the depth of a character’s needs, longings, and struggles.”
Check that your main character’s introspection serves a purpose. Does your character change because of his thoughts? Does she realize something new? Is a new action realized due to the internal monologue? “Introspection is one of the key elements of growing up and moving forward,” Kelly Rogers says. That works for our characters too.
Just like with description, mixing internal dialogue in with action helps avoid too much at once. “That new understanding or new goal or desire, and the size of it, may only become apparent in bits and pieces and stages, not necessarily one huge Moment.” – Emma Darwin
Introspection should also show something of the main character’s personality or beliefs. I love this quote I found in an absolutewrite forum, “Make sure it oozes personality: Is your character funny? Sarcastic? Morbidly dark? Hyperbolic? Adding bits of their personality to the introspection makes it more engaging.” – Raivnor
Keep on target. Elizabeth Grayson says, “While our thoughts sometimes come in stream of consciousness, a genre fiction character’s thoughts are relentlessly logical. They must segue from one to the next in a manner the reader can follow — even if the character you’re writing is a flake.”
What are your thoughts on introspection?
SM Ford writes inspirational fiction for adults, although teens may find the stories of interest, too. She also loves assisting other writers on their journeys.